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1. #Italo Calvino Quickness Movie Hugo Was
2. #Italo Calvino Quickness Series Of Lectures
3. #Italo Calvino Quickness How To Incorporate Some

Italo Calvino Quickness Series Of Lectures

Vidal mentions Calvino being an astute observer, given his scientific upbringing, and I think that comes out in the Lezioni.Emblem by Paolo Giovio, 16th Century: Festina LenteIn 1985 Italo Calvino wrote a series of lectures (later published as memos) in which he. Its really about many things, mostly those one is too busy to take notice of or focus on. The themes covered are: 1) lightness, 2) quickness, 3) exactitude, 4) visibility, 5) multiplicity.

In designing the Calvino typeface family Andrea Tartarelli set himself the challenge to follow the principles expressed by the Italian writer Italo Calvino in his masterpiece Six memos for the next millenium. The font is currently 31 in Hot New Fonts. Calvino contains 38 styles and family package options.

My intention is for this little painting to function as a helpful signpost for an artist of any medium.”Sarah Tripp from Glasgow has created gnommero, “an ongoing publication” that “presents artists’ and writers’ responses to Italo Calvino’s series of published lectures…” Is this cool or what? I only see three so far, Lightness, Quickness, and Exactitude, but I hope more are forthcoming!And composer Christopher Trapani wrote a “collaborative multimedia work for six instruments, live electronics, and live video, inspired by Italo Calvino’s Six Memos for the Next Millennium” including long distance collaborators live video duo Things Happen from Madrid, which premiered at the Columbia University program “Ghost in the Instrument: Festival of Musical Interactivity.” A brief (2 minute) preview is on YouTube! Or you can read more about the process at the Festival website (Scroll down about half way).So the Memos inspire all manner of artists!I will get on with “Quickness”! Quickly! I see four main ideas: rhythm, economy, manipulation of time, and the combination of Hurry Slowly.First, rhythm. Whenever I would get stuck on an idea I would refer to the topics and evaluate what I had written. Toe each of five indispensable qualities: lightness, quickness, exactitude, visibility.The art above is the butterfly-and-crab motif by Paolo Giovio that Calvino is talking about in that opening quote! The motif was surprisingly hard to find (the dolphin and anchor is much more common) but I finally located it, along with the dolphin-and-anchor and a rabbit-and-snail-shell, on the blog of calligrapher/correspondence artist Mara Zepeda in a post including the above paragraph from the Memo on Quickness!This is something I am discovering: artists in many media are very fond of these Six Memos! In the Lightness post, I included a listing by an artist of qualities associated with Lightness and Heaviness and now I am finding that visual artists all over are using these Memos! For example:Susan Fell-McLean did an ArtCloth exhibition inspired by the five qualities at the Shepparton Gallery in Victoria, Australia!Illinois artist Timothy Campbell came across the Memos as recommended reading while researching architecture (which is so cool, just like Richard!) and made a signpost after finding them useful in his work: “I found that keeping his lecture topics—lightness, quickness, exactitude, visibility, multiplicity, and consistency—on a slip of paper in front of me when I wrote helped me immensely. In Six Memos for the Next Millennium, Italo Calvino, master of startling literary transformations in such works as Invisible Cities, Cosmicomics, and If on a Winter’s Night a Traveler, shares his personal alchemical formula for literary Gold.Hello, I am Zin, and it is time for the “Quickness” chapter of Six Memos! Again I will be looking at “ Millennium House” by Richard Osgood to see how these ideas were incorporated (my first post on Lightness has an introduction if this does not make sense to you).Italo Calvino is an administrator at Harvard University.

Italo Calvino Quickness How To Incorporate Some

Italo Calvino Quickness Movie Hugo Was

I am not sure I see rhyme in those events, as opposed to the prose, but I do not understand this concept as well as Richard, and I may just not be able to see it!The second element of Quickness I got from this lecture is economy! We all know those books and stories, especially the old ones we were forced to read in high school, that go on forever in places describing the grass and the sky and how the air felt on his arm hairs! And superfluous background, exposition that goes back to the beginning of time! Part of the current Code is: stay in scene, describe every sensation a character is having in an intense moment! Sometimes that too gets a bit too much! Maybe that is because it is not always handled well, but everything described should have some importance! I love a great metaphor as much as anyone, but I tend to skip over long descriptive paragraphs, and that is not good reading!I can see all that is left out of “ Millennium House.” Who is the friend who recommended the friend, does he know the builder does strange things? What kind of expression does the guy have on his face when he sees the house? I would have wanted to write a three-page dialogue with all kinds of metaphors. There is the request, a brief emphatic statement of narration, two paragraphs of fulfillment, and the transfer. Go ahead, read it aloud, it is very impressive! I had not thought of the events rhyming. In fairy tales, the hero tries and fails twice then succeeds on the third try, that is rhythm! It sets up a familiar structure so you know where you are in the story! In fact, one of my complaints when I saw the movie Hugo was that in two cases (getting the key and getting the old man to enjoy movies again), the kid tried to do something and failed, then tried again and succeeded I was so annoyed that first of all it was too symmetrical, two and two, and second, that only two attempts were needed! Maybe three would have been too cliché, but the way it was, it just felt phony to me, just wrong! But the point is, events can be rhythmic, similar events rhyme whether they turn out the same or not, there is a sense of completion when it is done right!In “ Millennium House,” I see a great deal of rhythm in the prose – the words and sentences themselves, it is poetic to read. Like the idea of magical objects, which fairy tales have narrative function: “the plot can be described in terms of the change of ownership of a certain number of objects.” I am not sure why this is part of Quickness, but I can see how it works in his examples, and it is obvious how it worked in “Millennium House” – the house itself is a magic object! And the change of ownership from builder to the man who asked for the house in the first place moves the plot, is the turning point!Rhythm and repetition of events also function as elements of Quickness: “]ust as in poems and songs the rhymes help to create the rhythm, so in prose narrative there are events that rhyme.” I love this idea: I think of it as symmetry or parallel structure, maybe. It is easy to follow and to explain it here would be to copy it all.Once again, sometimes it is hard to see how to incorporate some of the ideas into most stories.